Oregon Cartoon Institute is holding its second public meeting on Sunday, Feb. 12, at 2:00 PM at 5th Avenue Cinema.
All friends and fans of Oregon Cartoon Institute are invited. If you think you might belong to this group, you do.
The agenda includes a brief introduction to the all volunteer Institute, and a discussion of what is up next. We’ll have announcements from the Mel Blanc Project and the Homer Davenport Project, some proposals to consider, and some hand outs to take home.
Reminder: last time the Institute met, Dennis Nyback supplied home made refreshments.
This year our featured attraction is a rare screening of The Little Baker, a stop motion animation short by early Portland filmmaker Lewis Clark Cook (1909 – 1983). We will also screen a ten-minute profile of Cook, made for OPB in the early 1980’s by Portland artist Jim Blashfield.
Michele Kribs, who was trained by Cook to succeed him as head of Oregon Historical Society’s Moving Image Archive, will be in attendance.
In the photo above, use of which was generously made possible by the Oregon Historical Society, Lew Cook is 15 years old. That is his own 35mm camera. A doting aunt, knowing that he was in love with the movies, bought it for him. He quit selling newspapers and went to work as a newsreel photographer.
Top Four Reasons You Might Want To See The Little Baker:
4. Cook made his living as an independent filmmaker using more tricks than you can imagine. Just as Bill Plympton turned down Disney, Lew Cook turned down Warner Brothers. He chose independence. Besides Plympton, the other Portland filmmakers who followed Cook’s lead include Homer Groening, Will Vinton, Joan Gratz, Jim Blashfield, Gus Van Sant, Rose Bond and Joanna Priestley.
3. The Little Baker was made “in the 1920’s” which means Cook could have made it anywhere between age 11 and age 20. Come help us sleuth out clues as to whether this is the work of a hard working child or an uninhibited adult.
2. No one else you know has seen this film.
1. Although you may think The Little Baker inspired Will Vinton to consider clay animation, what actually happened was that Will saw it after he had made his start with Closed Mondays. Nevertheless, there is some powerful history here. Who knows what it will inspire you to do!
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This event is a partnership between Oregon Cartoon Institute, Oregon Historical Society and 5th Avenue Cinema.
Thank you to Kerry Tymchuk, Michele Kribs and Scott Rook of Oregon Historical Society.
Thank you to Heather Petrocelli of 5th Avenue Cinema and PSU’s Public History Interest Group.
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